PSYCHOLOGICAL PLANE: SIGMUND FREUD’S SUBCONSCIOUS MIND IN SIMON STEPHENS’S “BLUEBIRD”

From the rituals demonstrated with masks and nature-inspired costumes to epitomise supernatural beings a church-based dramatization in Early Middle Ages focusing solely on commemoration of Christ theatrical rite Easter, or even Shakespeare, where characters disguise fill scene at time when Elizabethan notion visceral force was replaced by intrigue, theatre has always been shadow changing society. What, fact, goes under change is not per se, but idea relating people from all walks life. In this sense, theatre, which structuring power that managed infiltrate deeply within society, sustained its existence parallel developing shifting social dynamics. For bound happen if one retains his/her permanency. Theatre, continuous motion, allows interaction between audience actor. Though dimension multifaceted, most broadly known indubitably reflection Freud's concept psychoanalysis play, based view certain situations take place human consciousness especially subconscious have great role their daily lives. Simon Stephens, who reflects his works going beyond traditional understanding including post-dramatic elements music abundant visuality, stands out as important playwrights contemporary British recent years. The play Bluebird (1998), he wrote level reminiscent cinema scene, presents sections lives postmodern individuals are struggling hold life grip globalizing world, Stephens himself personally experienced observed. author tries reflect psychological disorders today's Bluebird. This study deals Stephens' context Sigmund personality theories.